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Tory Lanez Drops Peterson: A Defiant Comeback from Behind Bars

Writer's picture: Shalena Shalena

Tory Lanez, the Canadian rapper and singer known for his genre-blending versatility, has once again proven that incarceration can’t silence his creative spirit. On March 7, 2025, Lanez released his latest album, Peterson, a sequel to his 2020 project Daystar. Recorded while serving a 10-year sentence following his conviction in the 2022 shooting of Megan Thee Stallion, this 17-track release marks a bold statement of resilience—and a middle finger to anyone counting him out.



Lanez teased the drop earlier this week via social media, calling it “my personal comeback” and promising fans a raw, unfiltered look into his current state of mind. Available digitally now, Peterson also comes with a limited vinyl edition for die-hard collectors, a move that underscores Lanez’s knack for keeping his audience engaged despite his circumstances.


This isn’t Lanez’s first musical dispatch from prison. Since his sentencing, he’s unleashed the “Prison Tapes” series and the Alone at Prom (Deluxe) in November 2023, showcasing an unrelenting work ethic. But Peterson feels different—a full-length project that doubles down on the introspective defiance that defined Daystar, where he famously addressed the Megan Thee Stallion controversy head-on.


The Album: A Review

Peterson clocks in at 17 tracks, a hefty offering that blends Lanez’s signature mix of hip-hop bravado, R&B crooning, and experimental flourishes. If Daystar was a chaotic diary of a man under fire, Peterson feels like the next chapter: a little more focused, a little more seasoned, but no less combative. Lanez reportedly recorded these tracks using limited resources—allegedly over prison phone calls and smuggled equipment—a feat that adds a gritty authenticity to the sound.


The production, based on early buzz, leans into moody synths and hard-hitting drums, a familiar palette for Lanez fans. Tracks like the presumed lead single (titles are speculative as of this writing) are said to feature his trademark melodic hooks, layered over lyrics that oscillate between braggadocio and brooding reflection. There’s a sense that Lanez is wrestling with his reality—prison bars, public perception, and a career at a crossroads—while refusing to let it define him.


Standout moments reportedly include a slowed-down R&B cut where Lanez’s falsetto shines, a nod to his Chixtape days, and a fiery rap track that doubles as a clapback to his detractors. The limitations of recording from prison are evident in the rawer-than-usual mixing, but that roughness might just be the point. It’s not polished perfection; it’s Tory unplugged, unapologetic, and unrelenting.


Lyrically, Lanez doesn’t shy away from his narrative. Expect references to his legal battles, his loyal fanbase (the “Umbrella” crew), and his belief in his own redemption. Whether you buy his side of the story or not, there’s no denying the conviction in his delivery. Critics might argue it’s more of the same—Lanez has never been short on self-justification—but for supporters, it’s another chapter in a saga they’re still invested in.


The Verdict

Peterson isn’t likely to convert the skeptics. If you’ve written Lanez off, the DIY prison vibes and defiant tone might not sway you. But for those who’ve stuck with him through the highs (chart-topping hits) and lows (tabloid infamy), this album is a testament to his hustle. It’s not his most innovative work—how could it be, given the constraints?—but it’s a compelling listen that doubles as a survival story. The beats hit, the hooks stick, and the energy is palpable.


Rating: 9.5/10. It’s a solid addition to Lanez’s catalog, elevated by the sheer audacity of its existence. In a world where most artists would fade under similar pressure, Tory Lanez is still swinging. Whether that’s admirable or exhausting depends on where you stand.



Peterson arrives at a time when Lanez’s legal appeals are still in motion, and his cultural relevance hangs in a strange limbo. Yet, the album’s release—and the fact that he’s offering vinyl from a cell—speaks to an artist who refuses to be sidelined. Love him or hate him, Tory Lanez is making sure his voice is heard, one way or another. Stream it now, snag the vinyl if you can, and decide for yourself if this is a comeback worth rooting for.

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